#idk i guess i can ask people at the developing studio if they can do something about that

[procyo9]

just finished my first roll of film the other day and after taking it out I realized my camera had the wrong asa setting and now idk if my photos will be ruined or not :')

[beatriceportinari]

would you recommend reading naruto? i'm beginning to want context for the various konoha plots and shenanigans that befall you so very often

Since the dawn of time, humans have wondered :  should you read Naruto? Many people's answer (cowards) was a flippant  "don't watch Naruto". I think we can do better.

I think the way to ensure everyone has a good time is to make a list of why people watch naruto and what is enjoyable abt it or not and let you decide for yourself if you should watch it or not. This is not a review of naruto or an opinion piece on whether it is good or not.

Let's start with the bad parts :)

-Kishimoto's politics. Without too much spoiler, most of the bad parts of the system in Naruto will in fact just stay as is.

-The animation. Studio Pierrot does its job and there are some genuinely really good moments but i won't try and sell you Naruto on its animation. It's fine.

-The story. Kishimoto's politics and writing capabilities simply could not handle a story going on for more than 10 years lol!

Reasons people watch or read Naruto anyway:

-Shonen brain. It is genuinely very fun to see characters use powers of escalating magnitude to fight against each other with cool sounds and visuals and strategies. Many fights in naruto are great to watch, including those at the end too. I believe you are a touhou enjoyer ? i think you will like this. yippe adrenaline etc. the fights are good in the manga as well.

-The art. This is especially relevant if you're going to read it instead of watch as your ask suggests, the art in naruto is lovely! It's very endearing to see the evolution of it too, from the earlier more scratchy scrappy style to the more polished. It's a very idk... balanced type of art? just enough lines.

-The music. This is only relevant if you decide to watch it but the music really is so so good and iconic. And of course the endings and openings....

-Worldbuilding. Many fun settings and lore :)

-The characters. There are abt 56435675867 gajillions characters and groups of people and you Will find someone to get attached too.

-Of course, the most important part of any work that people get involved with, its actual badness. Some vague notion of "potential" gets people invested, and they start posting when that potential doesn't get realised. This potential can start from nostalgia, investment in a character who never gets developed, hope that kishi would have better politics or a better ending, trying to correct things, or just the desire to explore a world you like! Naruto functions best as a sandbox, which is the conclusion of this post I guess. If you would like to get involved, you will probably like it. If not, probably not. Hope this helps :)

[xoxoemynn]

I'm glad you feel at least a teensy bit better after sleeping. I feel pretty out of it. I've had a few weeks of ups and downs that have left me pretty exhausted before this news.

I hope you don't mind me leaving a message here. I've never been part of the fandom community, just outside of it, so I'm not even really feeling the 'at least we still have each other' sentiment. Ofmd helped me revive my creativity after years of not creating anything when I used to do so much. I'm still slower at it than I used to be, but it's a start. It's something.

Ofmd gave me the strength to come out at work, to be myself in most parts of my life rather than just carefully cultivated moments. I've found strength I never knew I had. Ffs I'm doing diversity training information stuff now??

I feels good. Feels great. And I really don't think it was a long shot to think that a successful, critically acclaimed show would get rescued. (I did wonder if making it very clear how valuable it was made HBO have an insane asking price but I hope not)

And I know s2 ended neatly (thank god) but I was so on board with Jenkins' view of "the will-they-won't-they is the least interesting part of a romance". Because you never see the payoff! It's just oh they're together now, the end, and you don't get to experience the characters as a couple. The story was the development of Ed and Stede's relationship, and a 3rd part would have given us the full scope of that.. *sigh

Idk I guess I'm just at a bit of a loss. Feeling empty. I was already struggling posting my work, or thinking how to adjust how I do it, because I don't feel its good enough for this fandom (which in my very limited experience feels very clique-y? If you're not in with the cool kids then no one cares and I'm too old for this!) It's all a bit "what's the point" I guess. I expect it'll pass but aaa, man. Y’know. Rant over, thanks for reading ^^'

The deepest of sighs, the tightest of hugs.

I feel you. Starting work today with swollen eyes and a tired heart. It sucks. This all just really sucks. And yes, I'm so grateful we got the show at all, I'm so grateful for the cast/crew, I'm so grateful for this fandom and the friends I made along the way. But this show, that did EVERYTHING RIGHT, ended before its time. And there's no getting around that just really, really sucks.

You're right, I don't think it was ridiculous to believe our renewal efforts might be successful. Because it SHOULD have been! It was a beautiful show with a passionate fan base that was also viewed very favorably by critics. In any sane world, OFMD's renewal would have been a given. And it's not silly or stupid to hope for good things to happen in a world where so often good things don't. The solution to the world being a shit show isn't to just bow our heads and accept it. It's to keep hope alive because yes, it might turn out different this time! Beautiful things deserve to be cherished, and that's what we did and will continue to do with OFMD. OFMD wasn't canceled due to a lack of love. It was corporate greed, pure and simple, and unfortunately that's a really difficult evil to fight against. But we still gave it our all, and people and the industry took note. That's no small feat.

And the show did so much for all of us! I'm so happy it gave you the strength to come out at work and live more in your authentic self. That's huge! That's the power of good art. And that's something studio heads can never take into account while they plug figures into their calculators and huff and puff about the numbers not being there.

I do hope you'll post your work, and share whatever you feel comfortable sharing. We really are of all skill levels here, and I've found genuine love of the show/its characters > the most technically well-written fic on the planet. I do hear what you say about it feeling cliquey, but for what it's worth, I also think it's very welcoming to newcomers? I realize that sounds like a contradiction. But I do think people have just kind of naturally formed little social circles of their friends and it can feel hard to break into, especially if you're an introvert like me. But I think if you start just getting in people's inboxes or reblogging with tags that show your personality/opinions/whatever, you'll start naturally forming those groups on your own. I'd also really recommend the OFMD Fic Club server if you're trying to get the courage to start posting your own work. It's a really supportive community there of people who've been posting for decades, as well as those who are just beginning to plan their very first fic.

Anyway, this is getting long and rambling so I'll end it here, but please know I'm sending you SO much love. It sucks right now but we'll get through it. And my DMs are open if you ever just want to chat. 💕

[ofmermaidstories]

Hello mermsie! Forever and ever ago you brought up a rejected mates fic idea and at the time I was like 👀 but hadn't read any... well this last week I read like three and a half rejected mates books so now I'm all 👀👀👀!!! So - if you were gonna write a rejected mates fic, what reason would the boys have for rejecting a reader? I can see bakugo doing it out of stubborn pride pre-character development but I wanna know what you think!

Also I know the One True Soulmate thing makes you bitey so if you want an interesting subversion of the trope, may I recommend Tangle of Need by Nalini Singh? The psy-changeling series is one of my all-time favorites, I've listened to the audiobooks a dozen times each while working in the studio. My favorite book in the series is a tie between Shards of Hope and Silver Silence.

Love, 💎

did you enjoy the ones you read, gemmy? i couldn’t rec any, bc i was reading mine through tiktok LMAO whoops. 💀 luv that app. 🩷 but as for how i’d write one… idk! 🧐 i’m too much of a sook—i couldn’t write anything where bakugou or deku or whoever else rejects us, LOL. that would be their first and only chance with us, the fic would immediately devolve into a different pairing from there on out LMAO. like, bakugou rejects us because he’s a fucking wanker, and then reader runs away to a small rural town and ends up washing radishes for a living and ends up falling in love with like, shoji or something. someone kind and patient, who’s overcome his own hurt. 🥺 NOT deku bc he is basically an extension of kacchan, the fucking traitor. 🔪 die die die. 🔪

i’m sorry gemmy. 💀 you’re asking out of genuine interest and i’m like “REJECT US? NO! 🔪” LOL. u were right about bitey. 😭 i’m possessive. 😭 ur my person forever, or one of us dies. 😙 easy peasy.

i think if was doing it in a proper attempt though, and not just going with my “immediately deviating off-course into a different pairing” idea, i guessss i’d try to subvert the trope by making our Reader be the one to reject the love interest? but my concerns with that would be: is it stripping what people enjoy out of said trope, and am i doing the subversion for the right reasons? like, subverting tropes or cliches only works if you love and respect the original recipe, and as someone who’s never been particularly interested in soulmate-and-related tropes, i would wanna afford it the same dignity and earnestness that a mega-fan would.

like, idk if this is your experience with reading them, you’ll have to chime in gem-anon, but like, to me rejected-mates type stories are about the high-octane angst and drama (being roughly and cruelly shunted to the side, regardless of the MC’s genuine feelings) and then the grovelling (the way the Love Interest comes crawling back, begging forgiveness for their mistake and thus showering our poor mistreated MC with non-stop love and affection). so i think my question would be, could you deliver that in a different package (Reader being the one to do the Rejecting TM)? is it even possible? 🧐 like, why would Reader be rejecting them in the first place (fear, i guess? 🧐 of what? them? what being fated-mates would mean? is there an inherent loss of personal freedom involved in that (like, is Reader free to pursue their interests still, like schooling, even if it meant having to move away from ur Mate for a few years?), or is Reader just like, paranoid, LOL)? what’s the appeal? like, where is the fantasy fulfilment if it’s Reader pushing the guy away??? i guesssss off the top of my head, i’d say it’d be like: oh, the fantasy here is even though you have thrown a wall up between u (the rejection of ur magical bond), ur would-be boyfie would relentlessly still try to prove that he wants to be there, that he wants to stick around, that he will wait and that he considers u something precious to wait for. 🥺 which i think is fun, LOL, but it’s like: does it work as a point of difference to the melodrama of the original trope? 🥺😭

‘cause like, you’re right gemmy—pre-development bakugou would be good for the trope in it’s original packaging. 😩 unfortunately, LOL. tbh im kind of sitting here like, why do i like him again….. LOL dsflkjsdklfjdslkf. hmmmm. 🧐 if we strictly had to write this trope, as-is, then i guess i’d probably employ a “doing it for your protection” type trope/reasoning. 😩 and then there’s a bit of miscommunication, bc Reader is like, understandably hurt (although tbh if had to rework how the soulmates thing worked, in this AU, i would make rejection instantly painful LMFAO. bam, now Reader’s disabled for most of the fic thanks to fantasy-sad-heartbreak disease. which actually hm… could be interesting. 🧐 living with illness that wipes you out and makes day-to-day living is hard enough as it is, without having that be inflicted on us by someone who is, ostensibly, meant to not hurt us 🥺).

idk idk!!! i guess what im saying is that we could probably go one of several ways, if we were trying to introduce a rejected-mates fic into the WIP pile. 🥹 i think it would just depend on what the others here would like—expect and want out of it!!! 🥺 what would you want out of it, gemmy? what would you wanna see? 🥺

(p.s., i added the three titles you rec’d to my library wishlist—i have a series to try and speed through first (i’ve been so bad with reading this past month 💀) but then i will borrow them out, unless you recommend reading the series chronologically??? 🥺)

[devsgames]

The modern Pokemon games seem to attract a lot of passionate and varied speculation about their makers' development processes. Do you have any insight on 1.) why those games might have released the way they did, and 2.) whether it was inevitable for the series to disappoint the enthusiast crowd?

Hey, thanks for the ask!

So I'll preface this with the fact that I'm admittedly not incredibly up-to-date on Pokemon as a franchise on the whole. I follow the news and such but the last Pokemon game I really played for any significant stretch of time was Pokemon Gold (maybe Black if we're being generous?) so keep in mind that my knowledge might generally be a bit outdated. I'm also assuming this is in reference to Scarlet/Violet specifically, and how they got pretty lukewarm reception in general.

With that in mind I have some thoughts.

(wall of text warning..)

I'll answer question #2 "if it is inevitable for the enthusiast crowd to be disappointed" first because IMO it's a pretty universal problem not exclusive to Pokemon.

I think die-hard fans are the most likely to *really* understand a game or franchise, and therefore are most likely to be critical of it in general. It's why you look at reviews for a game like DOTA2 and see no shortage of players with 2000+ hours giving negative reviews to it and picking every tiny little detail most people don't care about in it apart. Players who have played so much of a game to understand every pattern, every design decision, and every little nuance usually can find the flaws easily despite the fact they might have generally played a lot of it, because they know what to look for and what little issues it might hide when you dedicate yourself to it. It's why QA are so good at what they do, because they have 1000+ hours playing the same content over and over.

These players will always catch all the little things most regular players won't, and on that note it's also always worth keeping in mind these players aren't the average player and it's always worth taking their opinion with a grain of salt. Personally, I find myself more inclined to listen to the player who plays through the game once and puts it aside more than the 'hardcore' fanbase, because that's more representative of the average player.

In terms of inevitability? Well there's always a subsection of people who will be disappointed no matter what, and with Pokemon being a franchise with dozens of games and titles always coming out down the pipeline...idk you can only make hits so many times before something falls apart and a stinker comes out, so I guess I'd say it's inevitable?

#1 "why those games might have released the way they did" is more complicated because there's any number of things that can cause a game to have a rocky launch - some of which are exclusive to Nintendo/Pokemon and some of which aren't.

The obvious one that people much smarter than me have pointed out before is their development time seems to have gotten pretty ambitious; a couple years is nowhere near enough dev times for a huge game polished like Pokemon normally is.

For example, Call of Duty and Assassin's Creed fell into these traps years ago; Ubisoft eventually course corrected and said "hey we think we're making these Assassin's Creed games faster than we can manage and we're gunna slow down" whereas Activision has always juggled like 4-5 studios on Call of Duty to keep the cycle churning, for better or for worse. In this day and age a couple years will simply not get you an end product you need for a game with a legacy of polish like Pokemon unless you have a ton of thumbs in that pie.

However I've personally always felt like Pokemon at its core had a scalability problem; the concept of introducing dozens (or hundreds) of new Pokemon every generation as well as improving graphical fidelity on whatever new hardware Nintendo has most recently released sounds incredibly daunting and frankly always seems like it would be a huge risk for content generation. Some of the Pokemon titles cut out Pokemon and content in order to make this scaling achievable, but to be frank I think Pokemon sorta scaled successfully for a long while because in 2D mostly static sprites in a world are fairly easy to work with and easier to scale up. 3D however can be another beast entirely - the prospect of modelling, animating, building data, testing, etc. on hundreds of these characters in transitioning into a 3rd dimension is daunting to me even on paper, notwithstanding having to design the content, plan how it all looks from every angle and how those sort of elements affect each other spatially. When I first heard they would be making full-on Pokemon games in 3D my initial response was "oh my god what" because that alone sounds like a lot of work even if you do have Nintendo-level resources.

I think what really makes all this the most daunting task ever to me is not only are you 'converting' this graphical experience into 3D, you're also having to translate a lot of content into an open-world and properly 'free' design as well on the gameplay side, which hasn't really been done before in the franchise (to my knowledge). Things get real weird when you introduce a whole other dimension to how a game fundamentally works.

Pokemon has a lot of old rules that fans have internalized, and operate how they do because at their core they're built for the 2D/2.5D linear experience Pokemon always was. Trainers battle you when you see them in a line directly in front of them and don't have proper 'sight', people only exist in one place at all times, there's no real transitory dynamic day/night to speak of, quests are often strictly linear lock-and-key designs, Pokemon UI has often been 2D and more or less worked the exact same way ever since the 90s...honestly I could go on and on all day about how fundamentally different it is to make a game like this in the 'traditional' Pokemon way compared to the 'Open World' way. It's not to say that all these mechanics or systems need to change when moving to 3D, but it does necessitate that you have to pick apart every system and assumption you have about the franchise and potentially re-design it to work for an open world 3D setup. Couple that with having to build an open-world game for the Switch in general which is a tough task for most non-1st party titles (AFAIK even BOTW/TOTK had troubles and slowdown - and they're a first-party Nintendo joint with probably super high internal priority) it sounds like a complete nightmare to me.

On top of all this, when you realize all these fundamental design shifts to the property are coupled with the fact the studio likely didn't have a team of developers who are comfortable or even familiar with building a high-fidelity and dramatically non-linear open-world Pokemon experiences yet (since they've never really done it at this scale before) AND they wanted to build new content and mechanics on addition to everything else...it sounds like it could easily be a complete shitshow.

Basically I guess that's my answer: what they tried to do is a massive challenge both scope-wise and content-wise, so I suspect production would have been an uphill battle.

Internally it's probably hard to say who's at 'fault' or what the story is; did Nintendo maybe get greedy and push for an earlier release? Did the producers overpromise Nintendo on a concept that was too complex and had to underdeliver to compromise? Did some Creative Director maybe push really hard on an open world concept only to have it bite them in the bum? Who can say - certainly not me!

[purpleyellow]

Industry (un)locked

Seventeen 14th member

Hayun’s masterlist

“The interview that never got posted”

Requested by: anon

disclaimer? I’m obviously not an idol nor have any relation to the kpop industry. all of this is purely made up :) idk if this was needed but its here just in case

a/n: Feel free to share your thoughts with me. Requests are open! 💙

*italics represents actions*bold and italic is the person leading the interview*

Hayun steps inside the white studio and heads to the chair in front of all the cameras. She signalizes with a thumbs up to the producers that they're good to start.

“Kim Hayun. Born on June 15th, 1996. Debuted on May 26th, 2015. Current member of co-ed group Seventeen”.

“That's me” Hayun points at herself and then at the camera, making finger guns and getting some staff members to laugh.

“We'd like to remind you that whatever is said inside this room is fully confidential, so you may speak as much as you want to and as freely as you can”

“Well, I like to talk a lot, so you might regret telling me that”

“Simple question to get started, if you could go back and meet fifteen/sixteen-year-old Hayun, would you talk her out of being an idol or encourage her to do so”

“That's not a simple question, and you know it” Hayun laughs getting herself comfortable on the high chair. “I remember as a kid always asking for my parents to give me siblings, and especially missing them as I grew a bit older and didn't have anyone to keep me company after school. You can say being around people my age, or anyone who I can connect with is my number one source of energy. So I would encourage her to do it, because I know she really needs the thirteen brothers she's getting after that. But maybe I'd tell her she's not the amazing inspiring celebrity she thinks she is”.

“What would you say your relationship with Pledis Entertainment has been like, since you joined the company to now?”

“You're sure this isn't going to get leaked, right? The trainee period sucks for everyone, you have to dedicate a lot of time, energy, and discipline in order to be able to reach this insanely high standards. And I guess we're all aware of how though Pledis is with their trainees, so it's safe to say I didn't have much in me back then to develop any kind of relation with the higher ups. I do remember they used to decide most things behind my back. Like one day I arrived at the building and the CEO said 'You're moving to the Pledis Boys side' which was fine, but I could have used that information a few days prior or something. And even after that, when I brought something up to them, they would tell me they would think about the topic. And if they ever decided something, they would set one of the boys aside and tell them what they decided, so that boy could come and tell me”.

“That got better over time, though there's this weird relation between the group and the company, where we're completely free when it comes to the creative side of business. Yet the moment something more serious needs to be decided it's like they forget who makes up Seventeen. I understand from a corporate point off view they can't have a bunch of random kids in their 20s deciding what to do on a crisis. But they also can't push aside what Seventeen's message is and the picture we're trying to create. At the end of the day, I can't shake off the feeling that inside those big offices, some of those men only see us as a product they're trying to sell”.

“Would you think of leaving Pledis Entertainment?”

“I'm staying wherever the boys are, I don't really care where that is”

“How do you deal with hate?”

“Nowadays I'm one of that kind of people who simply doesn't care. After being bombarded with hundreds of comments from people who didn't know me but shared an opinion on where I should be and what kind of behavior I should have, I learned how to ignore everything and not engage in any conversation surrounding my work. That sucks, because I also don't have access to most of the nice and constructive things people say about me. But honestly it's something I decided to let go after I realized that negativity was getting in the way of how I communicated with other people, and how I saw myself as someone who always had to prove being better at something”.

“So you don't read what's being said about you online?”

“Most things I don't. I usually engage in conversations on Weverse which is slightly more controlled, and sometimes the boys show me some nice comments left on YouTube videos. Besides looking at cat videos, I'm pretty much dissociated with most social media”.

“Do you think that's something being an idol took away from you, or were you never that into technology?”.

“It's definitely something I had to adapt to due to being on the spotlight. As a kid I always enjoyed going on random spaces and making online friends, even if we only talked to each other once and that was it.”

“You don't look for what people have to say about you. But do you ever feel like you're not totally free to do whatever you want?”

“Honestly, yes. There's always going to have that little voice in the back of my head telling me how many young adults and even children are watching me and by association I'm helping them form their own view of the world. That's pretty scary to be honest because who am I? You know? Sometimes I want to do dumb things and less frequently I simply do dumb things because what there is to lose? But if a child comes and asks to do the same things I want to, I'll tell them no, because their life is too precious for me to let them do reckless activities”.

“What kid of dumb things are you talking about?”

“Sometimes I wake up and feel like bungee jumping. Or like, taking my car and driving without any coordinates for a really long period of time. Getting really drunk and smashing some plates around. Trying out parkour and busting my knees up because I don't know how to do that. I guess the best way to describe it being random rather than dumb”.

“So you're scared of what people might think of doing after you grant your personal wishes?”.

“I guess so. Since I'm not a parent, I shouldn't take responsibility over what others think and do. But part of me will always think about those kids alone in their homes, watching our content to pass their time and being shaped by the things we say and do. I also feel bad sometimes because I'm not the smartest person in the world, so I can't give them a detailed philosophical thought of how much their lives are worth and how they are the ones that make their own future”.

“Do you feel unprepared to be an idol when it comes to this topic?”.

“Well, yes. I'm just a twenty six-year-old who acts mostly over her instincts and fears of letting life pass by her. It's scary to think about children wanting to be like me. I remember during our training, we also learned a lot about how to behave and all of that, but it never sunk in how much responsibility it takes to be someone's 'Idol'. I try not to think about it too much to be honest, my wishful thinking brain likes to imagine that everyone knows how to draw a line between Hayun working her idol job and Hayun living her life”.

“Lastly, do you regret being in the kpop industry?”

“No, just because it gave me the family that I need. I sound really dorky talking about them, but that Hayun, before meeting Seventeen, had no future in mind and no support system strong enough to carry her around. I would not be able to face all of this alone in a million years, and I hope I never have to”.

[mettywiththenotes]

Thoughts on Bones and the bad decision making

The thing is about how MVA is being handled is that, generally, other animes that cut stuff out or have not as good animation as other seasons (which idk its literally only been one episode so we’ll see what else comes out of it, but I’m just stating the animation thing as one of the problems too) seems to be due to the time limit of an episode + how many episodes you have to fit in the season and evenly space it out + animation budget

Thats what I reason anyway. When I watch an anime and then read the manga, I notice stuff that didn’t get put into the anime, but I usually reason that “oh maybe it was the time limit of an episode and how many episodes they have left to put it in. If they couldn’t add that in but put this in instead, it’s probably due to what they think is more necessary to fit into the season before it ends. I can kinda understand that, and if its the case, I’m not really gonna hold it against them”

Same with animation, because adaptations usually try and space out the animation quality between Oh My God This Looks Ugly during a minor scene to Oh My God This Looks Incredible during an important scene. Again, I can understand that with budgets and the limit of available staff to animate. If you’re gonna hold back on some pieces of animation, I can definitely see the reason for sparing the Good Animation for the really important and impactful parts

But that doesn’t seem to be the case here

Bones cut out stuff that was actually quite important to understand the character. The League finding that racist cult and killing them was part of showing that they are decent enough to not be totally evil, and plus it tied in with Spinner’s arc of discrimination and that “empty feeling inside” which was actually caused by the people who lived in his town. Getting rid of his narrating too totally gets rid of that introduction to his arc, because when you first read that part in the manga, you think “why spinner? why spinner of all people? what distinguishes him from the rest?” and that question you ask yourself gets answered by his following development with Shiggy

Sure, Bones added in his narration in the forest, but the point of the initial narration is to make it feel personal. Spinner narrating in the forest is more like observational narration, rather than something personal. With 220, it felt like “Oh are we getting to Spinner’s arc? Are we getting his development or smthg? That sounds interesting, since he’s a background character. I wonder what will happen” but with the narration in the forest, it kind of gives off the feeling of “Why is Spinner narrating? Why did it switch to him? He’s just watching them, but is this important? I don’t understand”

There’s a difference between personal narration and observational narration. For example, lets compare a vlog and a documentary. A vlog is something personal, and when you watch it, you’re getting a glimpse into the persons life. That’s what I’d say Manga Spinner’s narration is equivalent to, because it literally starts off like “Whats up guys, I’m Spinner from the League Of Villains! We’re not in the best of conditions, as you can see, and we’re trying to work our way back to the top! Stay tuned!”

Anime Spinner’s narration is probably equal to a documentary, stating what has happened and whats going on now. And describing what Tomura’s face looks like. In fact, the description of the face is probably the only personal thing the anime put in from Spinners POV so far. I guess they were trying to keep that bit in to add that “personal” feeling we didn’t get from the initial narration, and since its such a small moment, it would quite easily fit into a few seconds of the episode without running over the episode limit but. there’s a big difference between “Whats up guys, I’m Spinner from the League Of Villains and we’re homeless, but we’re trying to get better!” and “His face looked like an eager child”

With the League in the shed scene, there was an awful lot there to be concerned about being cut. First we have Toga and Twice’s interactions, wholesome and sweet, which was supposed to cement their friendship which would make it all the more heartbreaking when Twice breaks down over Toga being in danger. For anime onlys, they could go off the past scenes from past seasons but idk that bit with them in the shed was supposed to be a recent reminder, to refresh your memory and such

Then we have Compress and Shiggy, because that mention of the sushi was supposed to be something Shiggy would remember and look back on, showing how connected he is with the League. With Spinner and Shiggy, that was meant to show the unrest and tension in Spinner and his ideals, and when he grabs Shiggy to yell at him, thats supposed to show you how much this matters to Spinner and how that moment tells the reader “Oh this arc is about Spinner and Shiggy”. The arc is about the League as a whole, but it’s meant to tell you as the reader that “This main villain and one of his background lackeys are going to have conflict”, and thats interesting!

Dabi’s entrance and what he said about recruitment was meant to be a build up to his conflict with Hawks. It was also meant to show how Dabi, despite seeming pretty aloof, still chooses to come back to the League and be a part of things. That despite Dabi trying to separate himself from them, he still finds a place to belong. Him bantering with the other members also showed how familiar he is with them, again, to show that this is a place he belongs

The Big Thing with Horikoshi is build up. The man slow burns to hell and back, and while it’s frustrating, it’s good. The Dabi Reveal’s burst of excitement in the fandom was because of that build up. It shows that Hori is willing to show little bits of development to really make the pay-off of waiting and reading worth it when something impactful happens.

Now, I can see why that would be a bit of an issue for the anime, because again, time limit of an episode and how many episodes/seasons you have to fit the storyline in and evenly space it out. Fitting it all in while still creating that feeling of tension must be hard, and I can see why it would be too.

But this isn’t about fitting in. This isn’t down to time limit or episode space. The simple fact is that Bones already screwed too much with it before MVA even started. They messed around with storyline, with the cuts, with dragging out scenes that really don’t even mean much - except for that scene with Enji thinking about his family, cuz that had meaning, but it was just way too dragged out. With dragging out scenes, both with and without meaning, I can see that as the studio trying to make fit the length of the episode but it just doesn’t work

And then there’s the Beach Episode for the girls, which wasn’t necessary at all. And I could also see that as them dragging out the season in order to potentially make S6 the League’s arc. But that didn’t happen

Instead, they rushed it, tried to fit it all in, while trying to keep in that Popular Characters Are Here So Please Watch element. Which AGAIN doesn’t work as good story telling because if you’re going to stretch it out for the Popular Characters, you need to evenly space out what scenes are used where and still be able to tell a coherent story. Which isn’t the case here because they prioritized Popular Characters Are Here So Please Watch instead of the actual plot

So I don’t think it’s about time limit of an episode + how many episodes you have to fit in the season and evenly space it out, not in this case. It genuinely is just bad decision making

Animation is kind of an exception because of that whole priority of saving the budget for Oh My God This Is Incredible scenes as opposed to minor scenes. We’ve only watched the first episodes so far and there is that whole concern with the characters height and Spinner’s face, but we’ve yet to see the rest of the arc, so I’m personally gonna hold out until its over to really judge the animation. With the heights and Spinner’s face though, I can see that it probably (probably) wasn’t the case of “We hate these characters fuck you”, it’s likely more about “We have to get this out and done on time so idk just quickly draw and get it over and done with”, you know?

Anyway lol I don’t think I’m saying anything that hasn’t already been said by the fandom, but I still felt compelled to talk about it. It’s such a shame, because anime onlys don’t get the full experience of what happens.

MORE THAN THAT, it’s all very well and good saying “Anime onlys please read the manga”, but for a lot of anime watchers, the only way they CAN follow the story is through watching it. I think I remember reading about how its hard for people with ADHD to focus enough to read the manga (I know thats the case for one of my irl adhd friends at least) and then there’s also the fact that they may lead busy lives. But it’s because of this rearranging of the arcs that I know it has to be frustrating for anime onlys too because they don’t get the full experience and they hear from manga readers that they aren’t getting the full story either! I’ve read some posts about how manga fans were excited to connect with their anime-only friends without spoiling anything, and the anime onlys just ending up confused and unimpressed. I feel for them and I know it has to be frustrating from both ends

Thats kind of why “being creative and messing with the storyline” doesn’t work in anime adaptations. Adding stuff in and having anime only episodes is nice for creativity and stuff but you have to be able to still have time for the rest of the story in order for it to work, otherwise you just end up confusing everybody, and again, those who can’t follow the story through manga miss out on the fun

I’m not an animator, nor am I entirely sure how production and such works, this is only based on the aspects that seem more logical with animes and why they do the things they do. So if anybody who actually is an animator or knows more about this than I do wants to come forward and tell me whether this is right or not, I’d be happy to be corrected with constructive criticism

Same with the ADHD stuff. I don’t know everything about it and there’s likely exceptions to the focus thing, but please don’t hesitate to also correct me on that

If you’ve made it this far, then thank you for reading my thoughts on Bones and how they’ve dealt with everything. Once again I’m sure I’m not saying anything that hasn’t already been said but still. I’m just putting my thoughts down

[tumblezwei]

Why Kyoko Mogami is the GOAT

And why y’all are SLEEPING ON HER

Spoilers for Skip Beat, but honestly idk how much of the story I’m gonna get into for this since I’m flying by the seat of my pants. Still, read at your own risk.

Also this is LONG lmao

Kyoko Mogami is a 16 year old middle school drop-out that works two jobs day and night in order to pay rent for the Tokyo apartment that she lives in all by herself 6 days out of the week. Going into the first chapter, there are three things immediately clear about her. 

1. She’s cheerful, kind, and also kind of batshit insane. From the first moment we meet her, her personality is throwing itself at our faces and refusing to calm down. (apologies for the bad quality images, I work with what I have)

2. She loves Sho Fuwa, her childhood friend and rising rock-star that asked Kyoko to come with him to Tokyo after middle school graduation to support his career

3. Nothing matters to her as long as Sho is happy. Sure, she laments that her love for girly dresses, cosmetics, and fairy tale princesses will never amount to anything since all of her money is going toward paying the rent on her and Sho’s apartment, but that’s fine. As long as her precious Sho is happy, so is she. 

And, as you’d expect, things go to shit pretty quickly afterwards. During one her off days from her night job, Kyoko decides to visit Sho at his recording studio with dinner. After sneaking in past the hoards of squealing teenage girls waiting outside to catch a glimpse of him, she overhears him talking to his manager. 

“I’m the heir to a prominent Japanese inn, do you think I’ve ever cooked or cleaned all by myself?” She hears. 

“That’s awful,” the manager replies, “you make it sound as if you brought her just to be your maid.”

“She’s basically been my maid since I was a kid, or else I wouldn’t have brought her along with me. It’s not like I forced her, I asked her a question and gave her the choice. It’s only natural that she’d work her butt off to support me.” 

And he just keeps going. Once he’s made enough to live independently, he’ll send her back. How dare his parents try to set him up with a plain-looking girl like her. She doesn’t even wear make-up! 

As images of flash in Kyoko’s mind of standing in front of make-up stores with no money to buy anything, she takes Sho’s words just as well as one might expect. By unleashing the box of tucked away emotions she’s held in her chest and swearing to take revenge on Sho for using her and throwing her away like this.

. I failed to mention this at the start, but the beginning of the chapter introduces us to the most important piece of symbolism in Kyoko’s character development: Pandora’s box. 

For Kyoko’s entire life, she’s held this box inside herself. In myth, once this box was opened, all of the evil of the world is unleashed, never to be put back inside. So for Kyoko, the metaphor is quite apt. Hearing Sho’s words unlocks the box and unleashes a kind of anger that not even Kyoko knew she was capable of, a kind of determination and vengeance that has her dyeing her hair and staking outside of a talent manager’s house for days on end to whittle down his willpower and give her a chance to audition at Sho’s rival talent agency, LME. Every time she hears his name, or sees his picture, she’s filled with myopic sense of rage that no one can calm her down from. 

Her sole mission in life is to get revenge on Sho Fuwa, a sentiment that finds her at odds with LME’s top actor, Ren Tsuruga, who sees her one-sided quest for vengeance as an insult to people who truly love acting. But as if Kyoko cares, she needs to get revenge! 

I’m gonna drop the pseudo-narration for a bit because I actually need to skip over a fair bit of plot to get to what I think makes Kyoko incredibly compelling, outside of being the funniest female character in existence. We’re going to jump forward in time to Kyoko’s first acting gig. Well, not so much an gig as much as it is a competition. She’s been tasked to play the role of a dignified inn keeper that’s serving tea to the main male character. After having broken her ankle and been challenged by the real lead actress, this is her first shot to prove she has the talent to make it in the acting industry. So in order to immerse herself in the role, she utilizes her experience of being trained by Sho’s mother to take care of the inn that his family owned. It’s here that we finally understand that Kyoko giving up her life back home for Sho wasn’t just a spur of the moment decision brought about by infatuation. It was something she’d been doing for her entire life. Everything she knows how to do, every skill she’s obtained, has been because of Sho. And this is the moment that she realizes that fact too. (the first image is from after the scene is done, wherein Kyoko cannot snap herself out of her character due to the lessons she was taught as a child, despite her sitting position making her broken ankle unbearably painful). 

Even her righteous fury at being left in the dust is focused solely on Sho fucking Fuwa. Is there anything that she has than can be attributed to her own success? Does she have any skills that can’t be traced back to trying to make Sho happy? Who is Kyoko Mogami? Is she worth anything without Sho? 

And I want to make this clear right now, because I know the term “shoujo” makes people hesitate. THIS is what Skip Beat is about. Kyoko’s journey to find out who she is, and with every new role she takes on and with every experience she gains, she becomes just a little closer to finding out who she is and what she wants for herself. 

We watch as her love for acting slowly eclipses her thirst for revenge. A few arcs after this moment, she is contacted about a job to act in a music PV with none other than Sho himself. In the beginning, she accepts the job in order to prove to Sho that she’s climbing the ladder and catching up to him, but her performance suffers whenever she thinks about her revenge. And what saves her isn’t even putting aside her revenge, but prioritizing her own feelings above it. She wants to act! She wants to put on a good performance! So she needs to put aside those feelings of anger and draw from her past experiences to create a character that leaves Sho in the dust. 

I’m gonna bet y’all are wondering about the romance, though. Because this is a shoujo, and of course it has romance. But hey, guess what? That romance is equally compelling and is an integral part to Kyoko’s character too. In the first....5 or so arcs, Ren Tsuruga ‘s relationship with Kyoko crawls it’s way out of the it’s rocky beginnings, and he slowly becomes a mentor figure to Kyoko. He’s her superior in acting, and she looks to him often for support and guidance when she’s struggling to perform a role or having difficulty with her fellow actors. To Kyoko, Ren is the goal, his level of acting is what she aspires to be, so she can stand on equal footing with him. Before there’s even a whiff of romance between them, there develops a solid bond of trust and support. And once the romance starts. Hoo boy. 

To fully understand why it’s taken 12 years irl for a confession scene to finally take place, we need to bring back the metaphor of Pandora’s box. Because not everything escaped Pandora’s box when it was opened. Pandora was able to shut the box just in time for one thing to stay locked inside: hope. In the myth, this is a good thing, while negative and vile emotions run free, hope still exists within people to become better. But for Kyoko, the box isn’t a safe place, it’s a repressed place. She spent her entire life locking away the negative emotions she felt, placing a smile on her face and hoping for Sho’s happiness. And when those emotions are set lose, she locks the box back up, sealing something else inside. Her hope, her confidence in anything having to do with love. 

It’s not just that Kyoko isn’t in love anymore, she feels as if she can’t be in love anymore, that she’s entirely incapable of it. The idea of falling in love with someone else terrifies her. What if she goes back to the way she was before? An empty shell that exists for other people and not herself. The box has been sealed tightly again, and by God this time she’s not going to let anything open it. And like, I don’t want to spoil much in this, as contradictory as that sounds. Because the scene where she realizes she loves Ren? One of the best fucking scenes in any romance manga ever. 

And. God. I haven’t even touched on her mom. Kyoko’s desire for love, that became so warped under Sho and so desolate after his betrayal, can all stem back to Saena Mogami. A woman who, no matter what Kyoko did, rejected any affection that her child tried to give, and gave none in return. “Even a mother can hate her own child.” We get bits and pieces of what Kyoko’s mother was like, and the environment that a very young Kyoko was raised in before her mother left her in the care of Sho’s parents. And eventually we realize that Kyoko isn’t afraid of her love being rejected twice, but a third time. 

Like, y’all, I’m not good at these kind of essays. I keep wanting to go off on tangents, nothing is ever focused, I spend to much time just reading the manga instead of writing this fucking post. But please believe me when I tell you that Kyoko Mogamis character development is like none other. She’s truly at the top of her genre and it’s an actual crime that she’s so underrated. 

I HAVEN’T EVEN TALKED ABOUT KANAE, THE WEISS TO HER RUBY, THE TSUNDERE TO HER GENKI

Before Kyoko gets even a single arc with Ren, she gets two with Kanae. The first with Kanae as a central figure, and the second where Kanae is her support. She’s the one that gives Kyoko the eureka moment she needs to pull of her performance with Sho. They are one of the most developed and deep friendships in shoujo that I’ve ever seen AND Y’ALL NEED TO STOP SLEEPING ON IT. LOOK AT THESE TWO

And don’t take this poorly assembled post at face value, I’ve left out a lot of shit. Starting with how fucking funny this manga is. Kyoko’s special talent for her LME audition is peeling vegetables, there’s a running gag where Ren asks for her advice while she’s in a giant chicken costume, unaware that it’s her, the president of LME is an eccentric millionaire that likes to dress up in different themed costumes every day and loves throwing extravagant parties, Kyoko’s hobby is making voodoo dolls and talks to a miniature Ren doll whenever she needs encouragement or advice. 

And it’s all packaged alongside some of the most compelling character development I’ve ever seen (for both Kyoko and Ren), and some absolutely heartbreaking drama. You will never know true pain until “I don’t have a daughter.”

Read this, ya’ll. You won’t regret it. 

[sugarcarnation]

Hey sugar 💖

P + Q for the ask game?

hey 💛 thanks for the ask

Q - a ship you’ve abandoned and why

i already answered this here and basically my answer was i can’t think of one

P - invent a random AU for any fandom (we always need more ideas)

i’ll use this is an opportunity to talk about my totally self indulgent klaine sunset boulevard au

im not sure if y’all are familiar with the musical but if you are then you might say sugar this is not a happy musical and also the relationship between the two main characters is extremely unhealthy why would you want that for klaine?

and then i’ll say you are correct but hear me out. it’s actually an au in which they put on a production of the musical

in case anyone is interested here is a short summary that i stole from here

Norma Desmond, a one-time famous silent-screen star finds her life down in the dumps and becomes a recluse. Her crumbling Sunset Boulevard mansion where she lives with her butler, Max, has become her self-contained world. Protected and isolated from the world by Max, who was her director and husband in the past and still loves her, Norma believes she can make a comeback.

She meets Joe Gillis, a small-time writer who wants to break into the movie industry. She has him move into her mansion so they can collaborate. But when Joe meets studio reader Betty Schaefer, Norma becomes jealous, descending further into madness.

and now here are my notes about the au i made some time ago

-it’s an enemies to lovers au because i say so

-there was no glee club (and not everyone went to mckinley)

-kurt and blaine are both at nyada (i guess nyada puts on a production of this? with an all male cast? idk i just want this to happen)

-i couldn’t help myself and there are a lot of characters in this au

-we have kurtcheltana

-they all went to mckinley together and became friends

-im pretty sure without glee all their lives were kinda bad (sorry about that)

-but now they’re all kinda in a mindset of it’s a dog eat dog world out there

-what im saying is that im making them a mean girls trio

-because they’d be terrifying and i wanna see that

-kurt and rachel both go to nyada but i’m sure santana still has her dancing lessons there and just randomly appears so people know them around there

(-because no one can stop me there’s probably some pezberry)

-enter blaine

-idk he’s a nice dude? i don’t think blaine could be too mean to anyone

-i’m pretty sure him and kurt have their rivalry over pretty much every accomplishment they could possibly achieve at nyada

-basically it’s probably just that kurt started to feel threatened, started their rivalry and blaine went along with it

-but still. it’s enemies to lovers. blaine can’t be too innocent here

-ive decided that he lives with tina, sam and artie (i felt bad about not taking artie to new york so he is also here)

-none of them went to mckinley

-artina is a thing here

-they went to different schools and met when they were competing against each other in one of those brainiacs things (the one from night of neglect)

-they did an enemies to lovers speedrun that was really just them competing against each other and then reluctantly acknowledging the other ones talent after the competition

-cue friendship and after that dating

-blaine still went to dalton but he knows tina (childhood friends? maybe?)

-they all go to new york together (artie does the same thing as in canon, tina does acting. but like on screen acting)

-they somehow ended up with sam as a roommate (he also does the same thing as in canon)

-there is samcedes here

-mercedes is gonna be the link that connects the kurtcheltana trio and the blaine/tina/artie/sam squad (but i think it’s gonna be a while until they figure that out)

-none of them know her before new york

-she’s also doing the same thing as in canon but i made her work at the spotlight diner as well (because she looked really good in tinas fantasy)

-kurtcheltana work there too

-the kurtcheltana trio answers to no one but mercedes jones. that’s just how it is

-elliott is gonna be here too but idk what he’s doing yet

-anyways i think i’m done with the characters

-so obviously kurt and blaine end up both getting a part in sunset boulevard

-kurt is norma (because he sang as if we never said goodbye on the show. and i wanna see him be all dramatic)

-so blaine is joe

-over the course of the play (and rehearsals and whatever) they’ll eventually become closer

-but first there’s a lot of drama and tension

-it’s great because norma and joe have a very dramatic kiss at the end of act 1

-kurt and blaine are gonna have to rehearse that scene so much

-so joe has another love interest in the play

-that could lead to some drama. maybe there’s something going on with blaine and the actor of joes love interest

(-or at the very least kurt could think so. whatever it is he’s not amused)

-idk any details but this au is dramatic (of course) but mostly just kinda fun

-a lot of friendship and character development because i love that

-and kurtcheltana as a mean girls trio

[beakybirdsong]

Sigh okay it's Pokemon News Drop Day so I'm gonna make a quick appearance for initial thoughts. But uhhh they're not great lmao

So if you don't like debbie downers probably don't read this lol

Because I got a bit...edgy

But like...I actually *hate* that we're getting 3 different games and none of them look remotely...good, all for different reasons.

The D/P remakes, from what we've seen so far, just don't excite me in any way. My opinion could change going forward but for right now it looks like it might as well be a remastered port, which is...not really what I've come to expect from Pokemon remakes, even as someone who's generally become a huge pessimist over the years lmao. HGSS added Pokemon following, the Pokathalon, a customizable Safari Zone, team photos, polished bits of existing storyline (like awakening the legendaries or disguising yourself as a rocket), and I think even the Battle Frontier iirc. We got much less in ORAS, but the story was admittedly still polished up good from what it was, including a little post game romp where we could catch Deoxys, the DexNav, which was super fun to play around with, and additionally Mirage Islands, a bunch of minimaps in the region that changed every day, which you essentially could collect from others by playing online or using Streetpass and accessing BuzzNav. It was also the first game to let us really hunt a hoard of legendaries, some of which were hidden in really cool updated areas (lookin at you Sea Mauville).

My point of all this I guess is that if you're going to give us a trailer for DP remakes can you not make it look like...samey and bland lol?? I'm not saying there WONT be any new content, but I am saying that if there isn't then it just...is not gonna be worth the money that a Switch game costs. Especially after Swsh left such a bad taste in my mouth. Like H O N E S T L Y I'd probably be being a lot nicer right now if Swsh was like...a good game lmao but that shit still has bugs and even after two full DLC drops there's nothing to DO (outside of being a crazy person like me and hunting shiny legends in Dynamax Adventures).

NOT TO MENTION HOLY SHIT, the longer time goes on the less forgivable it gets that these characters are sooooo fucking static!!!! The whole *thud* thing worked fine back in the DS era because it was....yknow, the DS era, but it just looks so stupid over a decade later. You can't add any more movement than that?? Barry's static pose in battle is also just completely devoid of personality. I'd honestly be fine with the chibi style if they did something interesting with it. Which is my point ig. Please please pleeeaaassseeee do something interesting with these remakes. Give me a reason not to just play on an emulator, or hell. Dig out an old copy and play on the 3DS, which still supports DS games lmao.

Okay phew ANYWAY.

Idk if it's because I'm coming down off of that hot mess but Pokemon Legends is actually...kind of interesting in concept. Like it takes place in the past, neat. And it's """"open-world,"""" okay neat. And the starter options are remixed, neat (I have a lot of thoughts on that actually and they aren't bad but this isn't the time or place). And they clearly told the tree-renderers to get their fucking act together, but like...that's a good segue into the problem I'm having with it which is that it still just looks empty. And boring?? And I think what I'm getting hung up on is that part of my brain is like ooh cool but there's a much bigger part of my brain that's like "OK but WHY"

It's just so frustrating as a longtime Pokemon fan to look at these two games which are both set in Sinnoh and only seeing wasted potential. Why aren't we getting one really good Sinnoh game that could happen with a little more time and less spread-thin resources? One looks bad because it's static and underwhelming port of an otherwise big beautiful labyrinthine region and the other looks bad because it looks good in places but is otherwise is an empty looking world in the way that the Wild Area was. We could have all the good stuff in one package but why would they do that when they can double up on profits by shipping out two mediocre games?

Speaking of, the nastiest taste in my mouth by far was the fact that we're getting three new games at all. Other parts of first-party Nintendo are making a point to ask for understanding and delay releases because of the pandemic and it seems like Pokemon just isn't letting up. What kind of conditions and crunch are these developers working under while also dealing with the handicap of doing it all remotely?? Do they get to sleep and eat like Jesus fucking Christ. I know there's a studio name I don't recognize helping with the DP remakes but STILL. It's not worth it! It's not worth it! Make a better game later!!! Stop beating your own franchise and the people who make it half to death!! Getting even one new mainline Pokemon game a year is unrealistic and unsustainable and it needs to stop fucking yesterday!! Hell, I would cry tears of joy if we went a year with no new Pokemon news at all! That's how ugly this feels.

In an attempt not to end on a sour note I guess, Snap looks good enough to get. I'm curious to see how many courses there are, but the characters look endearing enough, and by nature of being an on-rails game the world feels alive because it's not an unrealistic ask to make it feel that way (they did it just fine on the N64, even with the technical limitations of the time). I would much prefer mainline Pokemon games veer away from this "open-world" direction they're going in and just focus on making their little segmented areas tighter and more immersive in terms of aesthetic and exploration and maybe like one or two static encounter mons with a bit of personality. But I'm getting carried back into the Mainline Game Bad Thoughts Zone and I don't wanna be there. So. Idk check out that Venusaur doing a cannonball! Instant serotonin. Hoping there will be some fun pokemon interactions you can apple into happening like Surfing Pikachu or the Jigglypuff concert. Snap looks fun. I like fun. This is fun. This is fine!!!!!!!

[deltastorm101]

So, I tried to calculate Control...

... and its Epic Games deal, with the help of my certified smooth brain™ and probably incorrect sources. I started this last night hella tired and with a headache, I have finished it up today hella tired and with a headache, and this is what I produced: bullshit! :D But hey, at least double checked bullshit that’s open for discussion and contribution and expansion. Also, I probably won’t list the sources because a) I’m lazy and b) I didn’t have to dig thaaat deep down to find all this so if you really wanna know you could probably hit google with it as well. Anyhow here we go lol So, the initial thought which got all of this rolling was the 2020-wrap-up-post Remedy linked on their twitter, and Epic’s linked publishing announcement in it: studios Remedy, Playdead and GenDesign will release their next next-gen games with Epic. Now, we all know Remedy are working on some sort of Alan Wake-ish thing as we speak (right? right?? god I hope so), which meanssss our boy will most likely be an Epic exclusive. Which makes me kinda sad because, well. I’m deep in Steam’s ass. Hell, I waited for Control for a full year before I played it because they can pry the Steam version from my cold dead hands. So I asked myself... was it worth it for them? How much money did they throw at Remedy (and 505 Games) to have them play along? Would they have reached more people from the get-go if they had released it on Steam right away? Did the individual programmer, designer, writer, artist, person behind it profit from this at all? (Also, like, about the rights and copyright thing,,,,, you’d think they could have learned from Alan Wake and its IP belonging to Microsoft and so not really being able to do anything more with it because they don’t ‘own’ it and shit) buuut anyway that’s not the point of this post, now it’s time to do some MATH BABEY

Ok, let’s start with some things we know. Facts. Figures. Data. Turns out my initial question, how much money was involved, could be answered by doing one (1) google search: according to Wikipedia, Epic gave Remedy and 505 Games €9.49mio. The total budget for the game was €26.9mio over the course of 3 years of development. We know that as of December 2020, over 2mio copies of the game were sold, with November 2020 being the best-selling month ever since its initial release in August 2019. This is where question 1) comes into play: how many of those 2 million copies were sold in 2019 and how many in 2020? Stay tuned, I think I found out.

We know that Remedy gets to keep 45% of the revenue, which, I assumed, means that 505 keeps the remaining 55% (probably a lot more going on there but shhh). We know that Control’s sales cooked up €17.84mio in 2019 (so months September – December), €17.7mio of those in the first month alone (O.O). Side note: because it came out at the very end of August, I’ll ignore that month and declare September the first sales month.

We know that 60% of sales in 2019 were digital ones (aka Epic Store, mostly), 40% physical ones (consoles PS4 and XB1), while in 2020, only 10% of sales were physical and a whopping 90% digital; which is people on Epic who wanted to get their hands on the first DLC and – you guessed it – the Steam release of the Ultimate Edition in August 2020.

Which begs question 2): what’s bigger, 60% of 2019 sales because ‘ooh shiny new game’, or 90% of 2020 sales because ‘yay steam release’? The answer may look obvious, but you have to take into account the dropping price, which I also researched for your pleasure and enjoyment.

For this I used a German website called idealo.de, which focuses on looking for the best deals for basically anything you can buy on the internet, and it also gives you diagrams that describe at which point in time the product was at which exact price. This is what it gave me: - release price: €60 - December 2019: €41 (PS4)/€44 (XB1) - mid-2020: €30 - Ultimate Edition release: €30 - December 2020: €14 (PS4)/€18 (XB1)/€30 (Ultimate Editions) At this point I was like “lol hold on i need chocolate for this cuz i’ll be here for some time *sweating*”

To continue this mess™, I see more questions: 3) How many employees does Remedy have, which positions do they work in and what are their salaries? 4) How many employees does 505 have, which positions and salaries do they have? 5) What’s the total revenue that Control has generated so far?

And also some more stuff like, are my numbers accurate, am I even grasping these concepts correctly, are there even more people involved or am I just trying to explain complete crap (yes) but let’s just ignore all of that shall we. At that point I went “oh shit what have i gotten myself into, this screen does not get my point across, i need pen and paper” and you know shit is gonna go DOWN when I do math on paper.

My paper math birthed the following calculation:

Following this up, we can calculate the end-of-2019 sales, if we set the price for September and October to €60, for November and December to approx. €45:

Now, you might notice that one of those numbers is big and the other is HUGE. Why might that be? Well...

- Covid19: everyone stayed at home and needed video games to play - More sale months of the year, naturally - dropping price: why get it for €60 when you can get it for 20 - Ultimate Edition: why buy it in June when you get more content in August aaaand... - it comes out on Steam.

With this in mind, let’s see what questions we can answer: 1) 661,110 copies in 2019; 1,338,889 copies in 2020 2) 60% digital sales in 2019 means 396,666 Epic copies; 90% digital sales in 2020 means 1,205,000 copies – most of it from Steam? Some of it? A good chunk? The bigger chunk? There’s no way of really knowing for sure but... you could read this into it. I definitely am. 3) Google told me Remedy had a little over 250 employees at the end of 2019... 4) ... and 505 has less than 100. I found no good sources for this, I think linkedin said 37, someone else said 50. I’ll just use the 50 figure, idk. No idea man. and for 5) I’ll contradict my point that the Steam release is what knocked the sales out of the park and assume that the number of sold copies stayed the same across all 12 months of 2020, which gives us this:

Ok and now we’re getting into the most dangerous of danger zones because I have no idea how companies or capitalism work, so for educated people™, the remaining calculations might read like a toddler wrote them; I apologize profusely and hereby present last night’s brain vomit:

As stated earlier, development took 3 years, but everyone wanted to get paid in 2020 as well so let’s use 4 years to find out the salaries, which is 48 months. Let’s assume the utopian idea that every employee on the line here gets the exact same amount of money (LOL ikr but shhhh, let’s live out our dirtiest equality fantasies for a second ( ͡° ͜ʖ ͡°)). Which would mean...

And now without the Epic Deal™:

Quod erat demonstrandum. Remedy has been selling their souls to Epic for €350 a month since 2017. (I don’t mean this as maliciously as I’m making it sound, don’t worry xD)

OKAY SO, O B V I O U S L Y, I have not the slightest idea what on earth I’m talking about so read this like you’d read a good fanfiction. We don’t know the different salaries across the different positions (and genders HAH), we don’t know if other parties were involved, I’ve completely ignored the sum that Epic themselves get, I have ignored taxes, I don’t know if my numbers are accurate (they’re definitely not I mean 505 must have more employees than 50), if I made mistakes (yes), and also somewhere along the way I forgot to use the €26.9mio budget figure because, uuh, I have no idea where to use it, what it means, where did it come from, where did it go, cotton eye joe - but oh well, I’m not starting over, take it or leave it.

So... I can now officially say I have written hot steamy economics fic xD Man I put waaay too much time into this but damn was it fun. Good three-hour-deep-dive (two of them spent munching on chocolate half-asleep listening to psytrance to keep my brain twitchy). Real-life-theorizing. Fuck capitalism. Don’t do drugs. Pet a cat. Wear your mask. Call your grandparents.

If there’s typos in this I’m sorry but also I’m not, I can’t be bothered to proofread again lol. Goodnight imma catch up on the sleep I lost. Gotta love full moons

[astro-break]

Thoughts on the 8th ep of Hypmic Rhyme Anima. Spoilers beware

Ep.1 | Ep.2 | Ep.3 | Ep.4 & 5 | Ep. 6 | Ep. 7

Love that every time its a MTC centric episode im so busy that i can’t watch it the day it airs

I like how the beginning of the episode kinda mirrors the events in MTC’s story in ARB

hey hypmic you wanna try making it Less obvious who the culprit is? like damn you’re just giving away secrets like its candy. First Ramuda, the Ruikawa and now these two assholes. Might wanna keep your cards close before you spoil the ending of the anime oh wait they already did that nvm :p

Samatoki please have some sense of self preservation and ask what its about before accepting something. but I guess it also speaks to how trusting he is of those he lets close to him which also explains a bit more as to why he hates Ichirou’s guts

Love that Jyuto is actually choking the information out of someone and Samatoki is actually gathering intelligence and creating boards out of it. Most people expect the opposite from their characters and it such a great dynamic

I find it hilarious that Rio uses older computers but that brings up the question of “How far into the future really is hypmic?” bc those computers look to be from early 2000′s which would be A N C I E N T and completely unusable for hacking come a time when WWIII happens

Iris on a bike has no rights looking as hot as she does. The vehicle CGI is really nice too and so is her character model on top of the bike. Loving how Iris completely owns the two cops

The MTC love here is jsut. through the roof i can die happy now that i’ve seen Samatoki aggressively caring for his teammates animated and voiced. like, please. just. help. I can.t/ MTC care so much for each other I would hug them all and tell them good work, you can finally go rest now uughghghgh MTC guys. MTC

But mannn Iris is so cool, approaching MTC without any fear

I find it hilarious that Saburo would pose as a game dev from dubai which yknow doesn’t make any sense if you think about it. but whatever it just makes me laugh at how easy it is to fake a lot about yourself because yeah! it is easy! 

The whole conversation about cops and good cops seems a bit off considering ACAB but considering Japan who has largely swept both BLM and ACAB under the rug it isn’t surprising. That isn’t to say that Japan doesn’t care, its just that these movements aren’t on the spotlight so topics like these don’t carry as much weight

lol yeah he should have expected to be stabbed from the front lol

SRKHFSKJD Rio please stop living in the water, i can’t believe he did that lol

Love the SamaJyuto subtext in the translation lol

Jyuto’s sequence is kinda cute in a way ahaha

The kurosawa-esque b&w screens are a nice touch to the song as well as the MC Name drops and hypnosis speaker drops. Idk about Rio’s 2DIE4 reference though since it doesn’t really rhyme nor does it add much to the rap itself

The song itself is pretty nice but it isn’t a bop like Fallin’ was. It has a different more gritty feel to it that i don’t hate but isn’t my style

Of course Iruma pulls this situation into his favor, its so typical of him.

Rio didn’t speak much here and took a general backseat to everything. I wonder if it was because during the time of recording this episode, Rio’s VA, Kamio Shinichiro, went down with The Virus (you know the one) so he couldn’t record much. Who knows but best boy. just let me hear best boy’s voice please

Ramuda’s phone vibrate actively annoys me oh my god it makes my skin crawl

If Ramuda’s sleeping on the couch then that really does confirm that Ramuda lives in his studio. Not surprising considering everything we know about Ramuda but at the same time, please get like a futon or smth sleeping on a couch will only hurt your back

Ramuda just busting in is fun

but im not sure how to feel about two divisions shoved into one. like this is basically telling us who is the important divisions, Ikebukuro and Shinjuku. Obviously BB are the protagonists of the series what with the staff coming out to even say that Ichirou is the hero, and if you know what happens then you know why Shinjuku is also highlighted which. also gives away the ending of the anime. again. I’m just glad that the team decided to stick with the irl results bc if they didn’t, they’d have a lot of angry fans

Back to my main point tho, this just. pisses me off. I love FP and MTC and to see them sidelined like this doesn’t feel fair. they deserve full eps to themselves bc if I’m being honest, these two teams have some of the best inter team dynamics out of the current cast. I understand that budget issues and episode constraints exist but this is just kinda frustrating that my main division has been tossed aside and the team that gets the most overall development gets thrown away too

Im not surprised that they cheated because gambling anime is about who can outcheat the other and the mind games played. thats the thrill of gambling series is the psychological factors in it

Ramuda emulating Gentaro’s speech is cute

The mindgames are not present at all and I expected that lol

thats.... midly gay gentaro lol do you always go around pressing shit into people’s mouths while leaning in close? thats pretty gay lol i love the homoerotic subtext present in this episode. First SamaJyuto and now GenDice

no speaker summon sequence? thats slightly disappointing but whatever. the anime is really doing FP dirty by cutting a lot of corners with their episodes

I never noticed that Ramuda and Gentaro hold their mics in their left hand while Dice holds it with his right. neat detail

I love how even in a battle FP still keeps their preppy attitude

Gentaro looks so awkward to the little sway and kick thing in the song lolol

This is probably one of the songs that I like the least. Jackpost is a very Dice song and not really fitting for either Ramuda and Genaro. I think i’d like it more if it was a dice solo or dice centric but the emphasis was pretty cleanly spread so that makes it pretty hard to enjoy

Oh hell yeah FP meshing as a team is just, so cute. Though that foreshadowing with Ramuda and his candy is just. wow

Yup they kept the og brackets so I think the anime’s going to stick with the IRL results. Which means that any tension they try and build won’t work for ppl who are already familiar with the series but I hope they don’t take that fact as an excuse to slack off

[nanaba]

Okay you know actually? You answered me very well and respectfully and I respect you for that. Idk why I was so heated when I sent you that message, I apologise. I sent it after I saw you reblogged a post about "critiquing can be fun, how can people live with no critique" or something like that, like that's not why people respond with "it's just for fun" like there are people who critique and then get polarised into sending hate to the creators and shit, but that's for a different time lol. Again sorry about that, I'm just really upset with the people who are tweeting at MAPPA to redo the ending or people who hate on the animation when they have no knowledge of the hard and gruelling work they put in to give AOT the best send-off they can, and I kind of went looking for a fight lol. Have a good day

it's alright i understand...im not gonna lie i get pissed when i see people who tweet that kind of stuff at MAPPA as well so i empathize. i know i come off as very critical but i dont do that kind of thing and i dont encourage it. and it's probably because the fandom is so huge that it has a huge chunk of ppl like that in the fanbase. ugh the whole situation is just very bad for the studio animators since theres no way they can please everyone no matter what they do.

but i think i reblogged that post (i actually dont remember what it says but the following is most likely what i felt during that time) because i just see people shooting down proper critique of the ending or character development simply because they love aot or a certain character and it just annoys me so much...like i think it IS possible to reach an objective assessment of certain aspects of aot especially regarding how well a character is written, but some people act like it's impossible to both like something AND acknowledge the poorer aspects of it (at the very least).

it's just very infuriating to me how they discard what they dont like about it and proceed to cover that fact up and form a sort of echo chamber w other people to ignore those poorer aspects. and it might be an unfair assumption, but i feel like some people only defend aot and the ending because their ship went canon and then turn a blind eye to isayama's failures as a writer since at the end of the day he's the one who gave them characters to ship and theyre grateful for that. i dont like how they dont ask questions or seem to reject the very notion of approaching aot critically. it's not exactly "god worship" towards isayama, but it's enough to make me uncomfortable i guess

and have a good day as well!!

[macgyvertape]

50 or so hours into Cyberpunk 2077

This should be roughly the correct amount of time, ive been leaving the game running as I get up to get food or do stretches. Quests are roughly in order I did them

non spoilers above cut:

 i haven't found a single hat/helmet i like, and since you can't hide them I just am not wearing any. It matters that much.

I posted the other day about bugs, every few hours I play I find new bugs. some require me to go back and reload a save others I honestly can’t tell if it’s a bug or just really poor development

there are several perks that don’t quite do what the description says, like the Anamesis perk. Based on reddit and trying it out it seems to just not do anything.

sometimes in car chase segments the passenger will say “look out” as cars spawn in my path and hit me. Can’t tell if that was deliberate or a pop in issue

Yeah I’ve just totally given up on doing pacifist things unless required by a mission. Given up on doing stealth too unless a mission objective, except for sneaking around to set up a fight.

:readmore:

the delemain car quest is fun. From the shock of the one going "beep beep motherfucker" and doing a hit and run to start it off, to the GLADOS car i see a lot of people talking about. It was fun to explore the city when i might have missed places like the landfill apparently there is follow up on T-bug's death if you go back to the quick hack shop in Kabuki. It's not much but better than nothing I made the pass with Panam of "what if the room just had one bed". I know she won't do a wlw romance, which is fine since I wouldn’t have chosen her.  I enjoy her as a character, don’t get me wrong, my V considers her as a friend, but it seems like theres always drama going on which would be tiring. I would have gone for a fling, i like her leotard-pants combo with all the straps

but also her questline was buggy as hell. Multiple cases of having to reload due to clipping into objects, including her in a driving section, or just insta-dying when collision physics with some rocks broke "your neural network can no longer function independantly of the chip" me slapping my desk: s y m b i o te!!! come on lets have some s y m b i o s i s

in the scene with hellman i really liked how Johnny moved around the room. It made him feel like he was really there. it was hard to follow the convo as I left the room, i would not have understood it without subtitles. But i guess Takemura fucking waterboarded hellman. :|

lol I hope the dialogue is different b/c i refuse to smoke for Johnny

i am level 18 and still can't beat the first opponents in the fist fighting quest. ffs

I looked up the romances options so I went to do the I fought the law quest as soon as i got it. ACAB, but like I literally just met River Ward 2 minutes ago, and I really like him. His earring and cyborg eye, his big fluffy coat. I'm definitely gonna sleep with him Ok i like how when River Ward is dealing with the tiger claws if you interject it leads to a fight. It goes better if you follow his instructions and let him deal with it. Seriously I enjoy that sometimes its good to not pick a dialogue choice.

during the red queen club part, there was no dialogue over the phone. So i reloaded a save and got myself spotted and attacked. Then River showed up to help me <3 and it was more enjoyable having him there. I honestly am not sure if him not going to the club level is bug or not.

then uuuuuugh the worst of irl police "cops are my family" from Detective Han. Again ACAB "FRATERNITY OF CITY COPS RESEMBLES A [Nomad] CLAN NOT AT ALL" ok a few minutes ago i was complaining about bugs, but the character modeling in this game is good (when they're there). You can see body posture, characters jiggle their legs when they are nervous. Like I though character A was just throwing a cigarette on the ground, but then character B flinches back; I realize Char A threw it at B as a fuck you

I'm honestly curious if "I fought the Law" quest will have any impact later on. My choices were that I thought there was more going on than Holt being the only person behind this (based on how complicated the main questline heist is, and keeping an eye on some of the in game news), and told him not to take it to internal affairs, and I loved his response of how he doesn't give a shit what we think, he's doing it anyway.

In the elevator to report in, Johnny said "this muck is deeper than you think, tell them nothing", so i just said that the case was complicated. anyway i love how much of a sarcastic asshole V is

I thought i was being nonlethal with the monk quest, but it seems i accidently killed someone. RIP, but thats kind of the problem with this game. Like when i do the non lethal cyberpychosis quests I equip my non lethal modded gun and hope for the est. I like how a go here kill things quest led to Charles the ripperdoc. He's getting all his parts from scav gang members so I felt obligated to take him out. I got a police bounty for it but w/e.

I merged the Delemain fragments with the whole. Guess he's the meta now. (Side note: some of my favorite rvb fanfic plots are Ai consiousness/memory merging with the humans, so I’m having fun with this game and look foward to introspective fanfic)

Honestly Jonny made some good points, the fragments didn't deserve to die; but also destroying the core and freeing the fragments, they couldn't really function alone.

I was able to rescue Saul fine with stealth. Using cameras and the synapse overload really made it easy.  Can't use the sniper rifle reward b/c I don't have the stats for it, and while it has a silencer the fact that it's a ricochette weapon and not a shoot through walls weapons, makes it not as good imo; and theres a legendary one that is stats free for only 100k.

Lol made a pass again at Panam, and she immediately shut me down. I then did Mitch's quest and I love every time someone tells V they area  good person.

I hacked the operation carpe noctem shard, and wow the corporations are using ai to make people have cyberpsychosis, or something like that. What a shocker /s, I've played Deus Ex HR before

lol driving through the unifinished interstate, past the fight from Panam's first quest I found a "batcave" with a very nice car, and a manifesto written by "muckman'. But here's my complaint about the loot, there is a legendary top, but it had 16 armor. My current top has 84 armor, like why would i switch?? then later i found a bunker with soviet spies in it. Wild

Doing River's second quest, love the timing of as soon as you ask, why are we breaking in, someone shows up to tell you he got kicked off the force. It's funny how Johnny comments how maybe River's into you, and V just doubts Johnny's words. Love how the first kid asks River if I'm his girlfriend. also wow like oof both the second parts of Judy and River's quest are SUPER fucked UP!! oof like i stopped doing first person mode on the braindances for those quests as soon as i could, just made me too uncomfortable seeing that in first person.

DRIVING IN THE GAME IS BAD! nowhere is it more apparent than the sinnerman quest, which took me 3 times to get the driving section done, as cars spawned out of nowhere to hit me. Then when you restart, there is a bunch of dialogue it doesn't let you fast forward through. The rest of the Sinnerman questline is interesting. My V took every option to tell the dude that he was messed up, and what he was doing was wrong. idk, I was surprised how much dialogue there was that let you buy into his whole "forgiveness thing" and how there wasn't any real dialogue to call him the fuck out, that in seeking forgiveness he continues to do harm both emotional to the mother of the man he killed, but also that he got the husband killed via cop. The later follow up quest, I told him that what he is doing is crazy, studio is just going to profit off this vid. Then I refused to join him prayer, and told him fuck no i wasn't going to hammer him to the cross, or even watch. Yes, the man is scared of dying, and the corporation is exploiting him, but he keeps creating burdens for others.  I think the discussion on this quest will be interesting to read, it's definitely my own personal experience with religion coloring my view. Anyway back to a main quest, yeah i don't trust Placide, especially in that scene where he grabs my hand, then jacks in. I ran off to do most of the sidequests here and got some criticism from him. I do love how in the cinema the western movie switches to a mission brief as the netwatch agent talks. its a fun enviromental detail.  I took the netwatch offer, i don't think he's being fully honest with me, but he didn't put a virus in my head. As I told Placide later, I didn't pick a side. I like how you can then talk with the agent, who is a fan of Western movies, b/c they show "a simpler time where all good guys carry badges" :eyeroll:, and then V recommends Unforgiven, which from the wiki summary goes against that theme.

Looks like the Voodoo boys all got killed by Netwatch, but I as revenge for them trying to set me up I'm fine with it. Honestly after speaking with ai!Alt I don’t believe their plan of trying to be on good relations with AI would work. 

doing the johnny flashback 2, and wow Johnny really is an asshole. Like I had gotten so used to him in side missions I forgot how self centered and unlikable he was.You constantly get prompts to drink or do drugs, which I ignored. But i do love the goth/punk love Rogue and others have.

lol i called it, when Hellman said that the engram would seek to override the host, put V on the engram. I really like how as the relic malfunctions, you wind up in the chair with a cigarette, which you can either smoke and say you are turning into Johnny or throw away. My dialogue "your problem is the ends justify the means", which is true!!! He and Rogue detonated a nuke downtown, does anyone know that, and like ask Rogue about it????

(Funny you can ask Rouge about Johnny silverhand, over the phone, then the game bugs out and spawns her npc where you are. She doens't say much about the nuke, but she does say no one trusts you for jobs). The line of no one trusting you for jobs is pretty funny at level 46 street cred where im at “respected” status. really loving the family atmosphere at River's 3rd quest. Also his big strong arms, and the fact he is no longer a cop. I totally let the kids win, and wow the family dinner where they GRILL YOU over the relationship and try to set the two of you up, then the water tower scene!!!!! I don't love the first person sex cutscenes but they do have personality. I'm glad afterwards you got to tell River about the biochip and that you might die. Because he's so far removed from your personal plot. So I took that option to back out of a relationship.

I do love that you wake up with "river's tanktop" that says "fuck the police" It actually has extremely good armor stats, so thats what I'll wear now.

panam 3rd quest, when shes like why did you help me, I'm like "because it's important to you". Basically the closest you can get to "when a friend asks for help you help them", which as an ex-nomad backstory I really choose the nomad options when ever i can Paralezes quest part 2! I love the piano song but I always think of it as ocean's 11 music. It's also fun to see the computer and see Judy recommended you for the first quest. The emails talk about "forgetting" to hire a staffer, on the balocony a strange antennia was scannable, the color of the roses was remembered wrong...  lol guess i was right with those giant wall screens. Its fun environmental details that spell things out before you can notice, and it ties into some other quests where people's behavior is being altered. Actually, this quest "Dream On" I love it! For a while I've been like "wheres the illuminati conspiracy! Here it IS! I chose to follow Elisabeth's wishes and not tell her husband he was being brainwashed. In best case they program him to forget again, in worst case he ends up dead. The gaslighting Elisabeth described is CHILLING, her husband describes a vacation she can't remember and she doesn't know whose memories have been messed with. On your way to the plaza you get a call from someone/something that says the know exactly WHAT you are, any you black out!!! It's such a great feeling of helplessness that you're just one person in a world so big that you can't fight every power. As Johnny said, could be a corporation, could be a rogue ai, either way Jefferson is fucked (and so are you).

[marukrawler]

bakugan battle brawlers episode 29 liveblogging

- i just want to show you this hilarious exchange and commentary from the subtitle provider lmao

- oh wait i think this is the first time julie said the title of an episode??? i’m guessing this applies to all the brawlers in the next few episodes

- how dan and runo can get back to arguing that quickly is beyond me

- love how tigress keeps predator in check, we stan

- oh wait, dan asked for all the bakugan in the death dimension to be revived, should they pass their trials. so that means reaper definitely escaped with the rest of the bakugan?? coolbeans

- julie’s trial is filmed before a live studio audience.

- golem: careful julie. this isn’t your house.

- julie: how come

- golem:

- why is julie’s trial a literal sitcom lmao

- guest appearance starring clayf as tom

- why does clayf sound like the voice actor of the guy saying ‘you’re already dead’. hella deep voice and the sound quality just dipped all of a sudden.

- subterra el condor, you don’t see that every day

- why is el condor so cool, gosh, love his theme

- so yeah, from what i remembered, julie compares herself to daisy a lot and doesn’t think she can be better than her at anything

- as always, golem knocks the opponent bakugan the fuck out simply by being thrown into battle, not even by transforming yet. superb.

- i was about to say, it seemed like julie was doing pretty well against daisy after all and not dragged down by the past as much as i had expected??? but now we’re back in the flashback™ dimension

- lmao is that billy??

- now that im seeing the memory, it’s like . . .embarrassing to remember for sure, but not really all that bad? i think what would’ve been worse is if julie and daisy were the same age and in the same play, and julie had gotten the role as juliet but screwed up and daisy had to swoop in to save the play, thus cementing that despite all her efforts, daisy surpasses julie when it comes to most things. this just sounds like a case of bad luck and nothing that directly ties back to being caused by daisy.

- i think this somewhat lackluster portrayal of something that haunts julie is further evident in how this literally is the first time i’ve heard or seen daisy in the show. as far as i could tell, we were never given hints about julie having an older sister who’s an overachiever or that julie felt a particular way about her great her sister is.

- baron-syndrome was present even before baron was part of the show. amazing.

- lmao clayf said not today

- so essentially. clayf is calling out julie for running away from reality. i don’t think i get it, but maybe julie needs to admit and accept that daisy is better than her instead of hiding behind a positive outlook that ultimately doesn’t help out in the long run? idk

- also seems like julie developed some sort of trauma that makes her anxious when people laugh at her? or am i just reading too much into it

- oh wait im dumb. the lesson seems p obvious now that they’ve spelled it out for me lmao julie shouldn’t compare herself to daisy because she can’t be exactly like her. but she can be herself.

- i mean. yeah. but. mm. idk i guess that makes sense lmao

- golem’s just been slapped around by clayf even when their g power difference is 120 gs. why hasn’t golem lost yet 😂

- i’ll say tho number one battle brawlers playing while golem evolves is p fucking sick.

- clayf took two hits and got knocked tf out lmao couldn’t be golem

- is clayf ok tho, he just sorta turned into a glowing ball form and then. . .scattered

- aww, my bby getting applauded 🥺

- golem looks like that sphinx bakugan now, i hate it here

- he looked so cute before

[wiinterrose]

          ( xavier serrano , male , he/him, 23 ) omg ! i was walking yonge street downtown , and you’ll never guess who i saw . 𝐌𝐈𝐂𝐇𝐀𝐄𝐋 𝐅𝐋𝐎𝐑𝐄𝐒 ! i just saw a post about them on sixsecrets ! i think it said something like “ 𝐌𝐈𝐊𝐄𝐘 𝐅𝐋𝐎𝐑𝐄𝐒 𝐒𝐏𝐎𝐓𝐓𝐄𝐃 𝐋𝐄𝐀𝐕𝐈𝐍𝐆 𝐅𝐀𝐌𝐎𝐔𝐒 𝐀𝐂𝐓𝐎𝐑'𝐒 𝐇𝐈𝐆𝐇𝐑𝐈𝐒𝐄 𝐀𝐓 𝟓 𝐀𝐌 : 𝐑𝐎𝐌𝐀𝐍𝐂𝐄 𝐎𝐑 𝐘𝐄𝐓 𝐀𝐍𝐎𝐓𝐇𝐄𝐑 𝐅𝐋𝐈𝐍𝐆 ?” . isn’t that wild ? i guess it makes sense through , since they’re apparently 𝐃𝐔𝐏𝐋𝐈𝐂𝐈𝐓𝐎𝐔𝐒 and 𝐂𝐔𝐍𝐍𝐈𝐍𝐆 . but i’ve heard they’re also 𝐎𝐏𝐓𝐈𝐌𝐈𝐒𝐓𝐈𝐂 and 𝐂𝐇𝐀𝐑𝐈𝐒𝐌𝐀𝐓𝐈𝐂 ! i’ll just stick to giving them the benefit of the doubt . i mean , it’s not like i know them personally — they’re a famous 𝐏𝐑𝐎𝐅𝐄𝐒𝐒𝐈𝐎𝐍𝐀𝐋 𝐃𝐀𝐍𝐂𝐄𝐑 / 𝐘𝐎𝐔𝐓𝐔𝐁𝐄𝐑 ! you know , i’ve actually heard rumors that ██████████████████, but they’re just rumors … i think . i dunno . if you happen to run into them , tell them i’m their biggest fan ! ( ollie , they / them , 21 , est )

𝐓𝐇𝐄 𝐒𝐓𝐎𝐑𝐘

— mikey was born and raised in winnipeg because i think it’s funny when characters are from winnipeg. if you’re from winnipeg i’m so sorry. definitely was born on the coldest day of that year ( so like some point in january )

— but because of those long, cold harsh winters, mikey found himself in a dance studio a lot. his aunt was a dance teacher and with rather absent parents who meant well but both had long hours at the local hospital, he spent a lot of time with her. he fell in love with dance pretty early on, always having a certain fluidity and grace even when he was young.

— random but he also played hockey up until he was like 16 or whatever because he’s canadian and i’m not stupid. it happened. he can still skate tho. in a slightly different life he probably would have been a pretty good figure skater huh 🤔🤔🤔 but anyway...

— also feel like it makes sense that he did gymnastics. and trained in classical ballet.

— he went to university of toronto for college, studying kinesology and dance, and danced at one of the prestigious studios in the city.

— his big break moment was when in his sophomore year at ut, he made it onto the second season of world of dance in early 2017 ( lets pretend that show has been on longer than it has bc i don’t want it to be the first season of it sldk ). he made it all the way to the finals and quickly become a fan favorite along the way. though he ultimately placed second and missed out on the million dollars, that was the beginning of many doors opening for him. ( for those who, might have the vaguest clue what i’m talking about : i’m highkey feeling like, michael dameski style which is an idea i had after i named him michael so don’t @ me for him having the same first name ).

— millions watched that show, including some prominent agents and scouts who were able to help him launch a professional dance career : something he never thought he’d see himself actually doing. his first big gig was making the dance team for some singer’s north american tour, and he ended up not returning to ut to pursue a professional dance career full time. since then he’s danced in a few music videos for some uber famous musican ( same one he went on tour with or not idk ?? also a wc ?? maybe ?? ), a tv show, couple movies, and other various gigs around the city. he works part time at a studio when he has time, and has been honing his choreography skills as well.

— he makes enough dancing, but certainly not enough to make him RICH. no, that come from an impromptu vlog he did while on tour with aforementioned singer. having already garnered a following from world of dance, he soon rose to youtube fame as well, something he never could have predicted. i feel like his videos are very just, day in a life with various random challenges mixed in, and various workout and flexibility tips. he also still does pieces and duets with other prominent dancers just for fun too. his natural charisma and attitude really just carries him through easily lmao.

— mikey developed a bit of a habit of sleeping around when he left for college, all the newfound freedom was just intoxicating and well. he was hot so. it wasn’t like it was hard alsdkjf. that stuck around well into his blossoming dance career. nothing that was enough to be scandalous, but he made his way around. and then a year and a half into this unforeseen new life, he met matthew glass.

— he’d had a couple serious relationships before, one in high school, one his freshman year of college but neither of them could hold a flame to what he felt when he was with matt. perfection wasn’t something mikey believed in, but he almost did with what they had.

— it was like for over a year and a half he lived in this insane dream, and then mikey and matt broke up and he was devastated ( behind closed doors and with curtains pulled tightly shut ).

— he then proceeded to broadcast how perfectly fine he was doing by going back to his old ways and sleeping around obsessively, this time with very little regard as to how many headlines he was making. as far as coping mechanisms go, i guess sex is better than alcohol ?? not to say he wasn’t also drunk at times l o l.

𝐌𝐈𝐒𝐂

— mikey is a... how do u say... im gunna write manwhore bc it’s accurate so pls don’t take offense. inch resting bc i’ve written smut like once in my eight year rping career but that’s what he decided he was gunna be and who am i to deny that.

— very bi. very much does not care. if the world didn’t know he was before, it definitely does now lmao. he hasn’t come out in the sense he’s like posted a video about it and said “i’m bisexual” but it’s pretty obvious from the media and maybe he has gotten asked in interviews and has just shrugged and been like does it matter ?? i’m sorry he’s not the vocal bi ally we need. perhaps we will work on that.

— hasn’t dated anyone since matt bc he’s highkey lowkey still hung up on him but no one needs to know that right. outwardly, he’s very much the same : seemingly happy, but he’s a lot more careful with his heart and letting people close to him. if anything he’s become a bit of a two-way mirror, always seeing out but never really letting people see in, just what they want to see.

— probably goes without saying but extremely flexible. idk if any of you know who juuse saros is but apparently he can twerk in a split and i’m not saying mikey can but like. he just might be able to...

— straight up does not get cold. never wears more than a hoodie, probably danced shirtless in the middle of winter just fine. at least being from winnipeg is good for one ( 1 ) thing.

— i feel like people call him flower. idk guys. maybe im just thinking too much abt hockey goalies.

𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘

— he tends to be extremely underestimated as he comes across a bit dumb and generally has a pretty positive outlook on life which people confuse for him being naive when that isn’t the case. but he’s found he can use that it his advantage and that sometimes, people will tell him things they think he can’t understand but he hears and remembers everything. it’s helped him out of a few difficult situations before.

— i feel like he has a bit of ethan dolan’s personality & dumbass energy idk guys...

— live in the moment kind of dude. his motto is probably like : you just gotta know what you want to do next. i mean looking back on his life it’s been pretty crazy and that’s only solidified his outlook that like, you really can’t control too much. just let it go where it takes you.

— people do like him though and they like talking to him for whatever reason. generally has pretty trustworthy vibes but he’s more slippery than he comes across. he’s a selfish person at heart and always has his own best interests in mind, even if it doesn’t seem that way at first.

— extroverted. i think ??

𝐀𝐏𝐏𝐄𝐀𝐑𝐄𝐍𝐂𝐄

— 6′1″. chocolate brown eyes. curly brown hair. he has a lithe but extremely fit build due to his career. his core strength is especially impressive. 

— he has a monochromatic lineart tattoo of a rose on his left forearm / wrist and a butterfly ( again monochromatic & just lineart ) on his right shoulder. small scar at the base of his neck by his ear from an unfortunate hockey accident.

— needs glasses but usually only wears contacts unless he’s in his apartment late at night.

— he’s not overly fashionable, going more for comfort than how he generally looks. on a regular day, he’s probably got the whole... college athlete look going if you know what i mean. a big fan of mirrored aviator sunglasses. wouldn’t know what dressing up meant even if it slapped him in the face.

𝐖𝐀𝐍𝐓𝐄𝐃 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍𝐒

first and foremost i want to say that i like to vibe and brainstorm with people to come up with unique connections between our characters but here are a few ideas:

— the singer whose tour he danced on — singer whose music videos he’s been in — mayhaps even actors for that tv show / movie he was in ( v small role but whatevs. maybe they just Vibed yknow ) — flirtationship 😔 — always ye ol good hookup l o l — we keep running into each other idk maybe we should talk ??

TAKEN CONNECTIONS PAGE HERE

𝐎𝐎𝐂

          hey guys, i’m ollie. my intros are either written really eloquently or a big mess bc im trying to rub together a couple braincells at 1 am and whatever comes out, comes out. no need to guess which category this one falls into lmAO. anyway, i’m a slow plotter bc i’m easily overwhelmed trying to do too many things at once but i swear i will try to get to as many people as i can. and yeah this entire character is inspired by my love of world of dance don’t @ me... if u made it all the way down here u should watch this bc 😳 & mikey has the same athleticism and strength.